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William Kentridge is a South African visual artist and stage director known for work across drawing, printmaking, animated film, sculpture, performance, theatre, and opera. His public significance rests particularly on his charcoal-based animation method and his integration of visual art with theatrical and operatic production.
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South Africa · Visual artist, Filmmaker and animator, Theatre director · 1 affiliation
Born in Johannesburg on 28 April 1955, Kentridge completed a bachelor's degree in Politics and African Studies at the University of the Witwatersrand in 1976. He later studied at the Johannesburg Art Foundation and undertook mime and theatre studies at the École Internationale de Théâtre Jacques Lecoq in Paris. During his early career, he was associated with Johannesburg's interracial Junction Avenue Theatre Company.
Kentridge is particularly associated with animated films made through successive alterations to charcoal drawings on paper. He repeatedly draws, erases, redraws, and photographs an image, allowing the marks left by revision to become part of the finished work. In 1989, he released Johannesburg, 2nd Greatest City After Paris, identified by institutional accounts as the first work in his Drawings for Projection series.
Kentridge's stage practice brings drawing and animation into live performance, theatre, puppetry, and opera. His collaboration with Handspring Puppet Company began in 1992 and produced multimedia theatre involving puppets, performers, and projected animation. He has also worked as an opera director, extending his visual methods into large-scale stage productions.
Kentridge received an honorary Doctor of Literature degree from the University of the Witwatersrand in 2004, the Kyoto Prize in Arts and Philosophy in 2010, and the Princess of Asturias Award for the Arts in 2017. The Museum of Modern Art opened William Kentridge: Five Themes in 2010. In 2016, he and Bronwyn Lace co-founded the Centre for the Less Good Idea in Johannesburg; the Centre's website identifies him as founder, although the reviewed evidence does not establish a more specific current governance or executive title.
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